Trace five stylized portraits you love. Color them black. Look only at the outer edge. That is the "logo" of the character. Your class work should involve designing the silhouette before you paint the eyes.
Keep track of the standard intervals, such as the eyes resting halfway down the head and the nose base aligning with the earlobes.
Remember the standard facial divisions. The face is generally divided into three equal sections: from the hairline to the brow line, from the brow line to the bottom of the nose, and from the nose to the bottom of the chin. Trace five stylized portraits you love
: Understanding different tools, from traditional oil and acrylic techniques to specialized digital brushes (e.g., fine gouache for texture).
Take a photograph. Set a timer for 5 minutes. You are only allowed to use 2 values (light and dark) and 3 geometric shapes. How much personality can you retain? That is the "logo" of the character
Mastering stylized portraiture is a journey of learning the rules specifically so you can break them. By combining the rigor of anatomy with the creativity of simplification and exaggeration, an artist moves beyond mere imitation. The result is a portrait that doesn't just look like the subject, but feels like them—distilling their identity into a unique visual language.
: Map out your stylized proportions using a bold line art style or a loose monochromatic wash. Fix any placement or structural issues during this stage. Remember the standard facial divisions
Best for sketching, blocking out solid shapes, and clean edges.
Value—the relative lightness or darkness of a color—creates the illusion of three-dimensional form on a flat canvas. Strong value design keeps a stylized portrait legible from across a room.